{"id":35049,"date":"2025-05-22T09:20:23","date_gmt":"2025-05-22T06:20:23","guid":{"rendered":"https:\/\/www.kaunokolegija.lt\/muf\/?p=35049"},"modified":"2025-05-22T09:20:23","modified_gmt":"2025-05-22T06:20:23","slug":"apkalbos-mados-kolekcijos-nuo-brutalizmo-iki-leliu-pasaulio-i-dalis","status":"publish","type":"post","link":"https:\/\/archyvas.kaunokolegija.lt\/muf\/apkalbos-mados-kolekcijos-nuo-brutalizmo-iki-leliu-pasaulio-i-dalis\/","title":{"rendered":"\u201eApkalbos\u201c: mados kolekcijos nuo brutalizmo iki l\u0117li\u0173 pasaulio (I dalis)"},"content":{"rendered":"
Renginys kasmet suburia dalyvius i\u0161 Lietuvos ir u\u017esienio \u0161ali\u0173, sudarydamas s\u0105lygas jauniems mados dizaineriams vie\u0161ai pristatyti savo k\u016bryb\u0105, o \u017ei\u016brovams \u2013 atrasti naujus, i\u0161skirtinius k\u016brybinius talentus.<\/p>\n Gegu\u017e\u0117s 29 d. 19 val. Dariaus ir Gir\u0117no stadiono VIP korpuse (Perk\u016bno al. 5, Kaunas) pristatys autorines kolekcijas jaunieji mados dizaineriai:<\/p>\n <\/p>\n \u201eMotive47\u201c \u2013 atspindi kontrast\u0105 tarp 1947-\u0173j\u0173 pokario laikotarpio, kai Pary\u017ei\u0173 kankino nepriteklius, Christiano Dioro pirmosios kolekcijos \u201eBar\u201c \u0161varkelis, sugr\u0105\u017ein\u0119s prarast\u0105 au\u0161tosios mados status\u0105 ir dabarties, kurioje mados industrijoje vyrauja perteklius. Kolekcijoje naudojami kaklarai\u0161\u010diai simbolizuoja pertekli\u0173, formalaus silueto motyvus ir prabang\u0105.<\/p>\n Kolekcijoje perteikiami nerealisti\u0161ki gro\u017eio standartai, kuriuos perimame i\u0161 vaikyst\u0117s \u017eaisdami su l\u0117l\u0117mis. Tai itin akivaizdu \u201eBratz\u201c l\u0117l\u0117se, kuriose proporcijos yra i\u0161kraipytos: didel\u0117s galvos, ma\u017eas k\u016bnas, i\u0161didintos l\u016bpos ir akys, suma\u017einta nosis. Taip pat, sukurti drabu\u017eiai atspindi vaikyst\u0117s \u017eaismingum\u0105 per ry\u0161kias spalvas ir audinius, tokius kaip mink\u0161tas veli\u016bras, \u0161velnus kailis, lengva organza.<\/p>\n \u201eThe Beatitudes\u201c kolekcija \u2013 tai baltos spalvos dedikacija, simbolizuojanti ramyb\u0119, taik\u0105 ir sakralum\u0105. \u012ekv\u0117pta liturgini\u0173 drabu\u017ei\u0173 siuvin\u0117jimo ir Bizantijos laikotarpio estetikos, ji subtiliai sujungia religij\u0105 ir mad\u0105. \u0160i\u0105 id\u0117j\u0105 perteikia kruop\u0161t\u016bs siuvin\u0117jimai, atliekami g\u0117lavandeniais perlais ir kitomis dekoratyvin\u0117mis detal\u0117mis. Kolekcija kvie\u010dia atrasti \u0161ventumo ir elegancijos harmonij\u0105 \u0161iuolaikin\u0117je madoje.<\/p>\n <\/p>\n \u201eModern\u00e9\u201d – tai kolekcija \u012fkv\u0117pta Kauno modernistin\u0117s architekt\u016bros. 8 \u012fvaizd\u017eiai perteikia \u0161iam architekt\u016bros stiliui b\u016bdingas formas, elegancij\u0105 ir spalvyn\u0105. Parinkti kokybi\u0161ki ir nat\u016bral\u016bs audiniai i\u0161rei\u0161kia pastat\u0173 tvirtum\u0105. Kolekcijoje dominuoja ai\u0161kios konstrukcijos ir subtilios detal\u0117s – drabu\u017eiai tampa modernistini\u0173 fasad\u0173 atspind\u017eiais.<\/p>\n Making new clothing using upcycling methods can be challenging, especially in turkey, where the collection \u201cPateiba\u201d was created due to several reasons: firstly, when thinking of upcycling and recycling, the first places for finding the materials in Europe would be second-hand shops, where apart from ready-made garments, all kinds of house textiles and even new pieces of fabric (factories leftovers) can be found. In Turkey, which is one of biggest manufacturers of clothing, the second-hand movement is not so popular as clothes here are extremely cheap and, of course, one would prefer to buy something new and cheap rather than used and more expensive, which is the case of a very few second-hand shops that can be found here. Nevertheless, for designers like me, the \u201chappy place\u201d is Sunday Street markets, where people sell everything, they can and want to get rid of. The collection \u201cPateiba\u201d is mostly made from secondhand clothing found at street bazaars plus six kerchiefs bought in regular bazaar \u201cshock price\u201d section – garments with small, almost invisible defects. The patterns of garments mostly come from modification of traditional Latvian national costume – basic shirt and man’s pants.<\/p>\n \u201eMo\u010diut\u0117s vaikai\u201c \u2013 tai ry\u0161ys tarp t\u0173, kuriuos da\u017enai pamir\u0161tame, ir \u0161velnus priminimas, kokie brang\u016bs esame savo seneliams. \u0160i drabu\u017ei\u0173 kolekcija pasakoja apie rank\u0173 darbo svarb\u0105, drabu\u017ei\u0173 k\u016brimo proces\u0105, kuris prasideda nuo papras\u010diausio si\u016bl\u0173 kamuoliuko, kaip kadaise mok\u0117 mo\u010diut\u0117.<\/p>\n Drabu\u017ei\u0173 kolekcija \u201eApmaudas\u201c \u012fkv\u0117pta brutalizmo architekt\u016bros \u2013 jos sunkumo, masyvumo ir tekst\u016br\u0173. Kiekvienas drabu\u017eis atspindi emocin\u012f svor\u012f ir sud\u0117ting\u0105 laikotarp\u012f. Dominuojan\u010dios tamsios spalvos sustiprina kolekcijos dramati\u0161kum\u0105 ir melancholi\u0161k\u0105 nuotaik\u0105. \u201eApmaudas\u201c \u2013 tai vizualus emocij\u0173 ir architekt\u016bros junginys, perteiktas per drabu\u017eio materialum\u0105.<\/p>\n
<\/a>Kauno kolegijos Men\u0173 ir ugdymo fakulteto Men\u0173 akademijos\u00a0Mados dizaino studij\u0173 programos<\/a><\/strong>\u00a0lektori\u0173 komanda, vadovaujama Stellos Justinos Kasperavi\u010dien\u0117s, organizuoja\u00a0tarptautin\u012f mados \u0161ou \u201eApkalbos\u201c<\/a>, kuris jau tapo reik\u0161mingu kult\u016briniu \u012fvykiu Kauno miesto ir tarptautin\u0117s mados bendruomen\u0117je.<\/p>\n\n
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